he can turn any imaginable concept into reality, he need to restrain somebody? He will use "restrain" magic. He need to find somebody? He will use "find xxx" magic. He need to move quickly? He will use "teleport/fly" magic. Something broken? He will use "repair" magic. He need to fight a legendary being that can destroy a country? He will use "dimension cutter" magic with an umbrella/stage prop. Even in the end of the series he used "time stop" magic to defeat all his enemies...

First maid heroine Chiffone only appearing like three times in the whole series, first being her introduction and the rest are joke chapters. Second appereance during the MC's school vacation he take the elf heroine back to his mansion, she lashes out that some bug is attaching to the MC. The third and final appearance is at the end of the series, she's confronting the ikemen tutor and accuse him as gay and shotacon and that he is the most probable winner of the harem since she realizes that the MC only regards her as a maid and the elf heroine is in the BFF promise of a friendzone.

The second elf heroine Sephys is having one chapter form her point of view in her introduction phase, describing how she's having a crush at the first sight with the MC, then no progress whatsoever and near the end of the series the MC put her in the friendzone (after that she's not even mentioned at all, not even on the final chapter.)

Meanwhile we got a seme do-S black haired ikemen tutor who the author jokingly refer to him as "Princess" in her digest chapters. He's "interested" with the MC and the MC interacts with him the most. The maid heroine regards him as shotacon and gay, and she states that he have the highest chance in the MC's harem.

Then we got a legendary male white dragon summon with a very fitting and creative name "Shiro" that's pretty much useless since the MC is a god, right after his first dragon form introduction he magically transform into human form, ikemen. Then the dragon form is forgotten that he never appears at all in dragon form. He got no important role in the main story and only act as bu*t joke.

Lastly we have an adult ikemen leader of the most elite secret service group "ninja" yeah the name of the group is ninja and they wear ninja-ish uniform. Even though he is supposed to be the most elite personel in the whole kingdom, he easily got kidnapped (similar to the princess tutor's case) and the 8 year MC have to save this sorry excuse of a secret service agent. Well, it's basically BLish damsel in distress with a shota saving an ikemen instead, apparently the author likes this so she used this plot twice in her story arc.

And then we meet a knight fall in love with the MC when he used genderbending magic to transform into a loli, he chooses to defect from his job to aid the MC and leave his hometown so he can be with the MC. Then he found out that the MC is actually a shota. Then he's in dillema whether to keep liking the MC or not with the inclination of being shotacon is probably alright. Poor knight. MC turned him into shotacon...

There's a couple of MC's male friend in the school, one got a name with extremely terrible Japanese pun... They're not important though.

I could forgive how his mental age regressed although he never forgets to mention he's an adult inside, and his actions always contradicting his insistent whining. I could forgive that the humor of his narration had gotten stale after 40+ chapters. What I couldn't forgive was that nothing happened, and the author's attempt at making something up was, pardon me, pathetic.

School arc, always exciting. New faces, new fodder for plot. Yet the new characters and events didn't really offer anything new other than to increase the repertoire of the MC's strength. Friend? More like a classmate trying to act like an able older brother despite being dependent on the younger MC to tutor him. Heroine? More like a kid who got attached to you and that you're now babysitting. The deciding event was when they were attacked by a legendary creature and the MC uses a broom to kill it. Oops, didn't mean to reveal my super OPness in front of the entire school. Off to the castle he goes to explain, not acting like the 8 year old he's supposed to be in front of the freaking king. He tells his courageous story then wonders why the king looks at him in shock.

I cringed when the assassin became his animal-eared maid. I disapproved when he let the children mentally younger than him (he wouldn't want you to forget) walk over his pushover face. The backstory of his dad having his past face and his trauma wasn't really further addressed or used in anything of significance to develop the plot other than to gain the admiration of his shotacon tutor.

Rant over.