The premise is about this child borne out of a one-night stand from orig!MC who was about to be r*ped thankfully got to a wrong room where our coincidentally drugged ML was in. Honestly, this matter wasn't even explored into detail, as if these series of events are made to proceed the plot.

Even the thing about being in love with each other without being able to say it or even meet in person until both died at different periods before transmigration is kinda like plot device just so both of them can fall in love with each other within the chapter constraints. It's kinda a way to say they already love each other before the story even started, so you can't say how they fell is "unrealistic".

With the way the MC is written (where she's not looking for a relationship), I guess the author needed something so the love can start.

And that baby switch between FL and MC? I don't even know what to say. Haha. Simply put, it feels like the author just dumped several tropes into one novel and resolved it one by one. Typing this now, it shows how lacking it is. XD But honestly, I guess it's better than most in how it handled itself, but it still wasn't that memorable save for a few parts.

The thing I love about this novel though is Dudu! He actually behaves like a kid. I mean, he's still sensible most of the time but it's within the realm of reality. I especially liked the conversation between Dudu and his dad when he cried about why he doesn't have a dad, and if he doesn't want him anymore so he left. And he couldn't understand when the MC explained "he went far away". I mtl-ed it, but it was a nice touch that Dudu didn't affiliate her words with "death", which I think MC wanted to insinuate, rather just thought his dad didn't like him so he never "visits" him. I like that scene where he saw families and how there's a dad putting his kid up his shoulders, and he wondered why he never saw his dad. When Dudu told ML, which is his actual father, "I wish you're Dudu's dad. Why can't you be my daddy?"

I felt that. :' (

*Like, the idea is it's because the villainess in the story was swapped with the MC at birth and the MC's mother (villainess' real mother) is a downright scheming b*tch because she did it on purpose. (I agree, this is indeed a b*tch move.) The villainess is entitled and narcissistic so apparently when the villainess' parents (MCs real parents) see the MC, who is the exact opposite, they can sense that the MC is theirs?? (Which is very convenient but a plothole I could've ignored.) Idk man, in reality if MCs parents were nice people they would've raised the villainess a little better. At the very least, she wouldn't be threathened over the MC who is just an extra in the drama they're filiming. But nope, she is very threathened and she'd lie if only to make herself look better because why? Nothing, she's just a spoiled brat. It's just really odd how it lowkey suggests that one can be born good or bad without taking into account environmental factors (it's nature AND nuture not nature vs. Nurture) because it's not centered on how she maybe grew egotistical because of fame, but instead the fact she's the child of a b*tch.

that how author pours all the elaborate detailed narration into the description of the MC which over the span of 100 lines will repeat about 4x/5x times not ever changing from it's original first notes of her; pale like snow, raven black hair like ink, cold aura and if you'd twist that back around, she could be as well as naming the characteristics of a horror entity from The Grudge or The Ring.

Also note, with time, more evident flaws of authors no-research writing and ridiculous favoritism of the MC in contrast to the blackening the cannon fodders will leak out like from a busted pipe. Ludicrous as it is, the author make the cannon fodders employ the most ridiculous heap of backfire-able schemes that MC can just counter like popping a balloon with a needle. Equipped with all the empty air of confidence that equals to arrogance of the MC, it killed, of what little was there to begin with, all the anticipation and encouragement I had for her and the story.

Example being, she knew for no apparent reason she'd win the task of earning money on the street while knowing her opposition is cheating. No idea who gave her the courage to believe that the crew who was in the same dumb scheme wouldn't just top a little more off than what she had earned (since the camera man will always follow her around, and they could always contact the crew about an estimated earning).

The two big things they have avoided are the kid's dad and the MC's family.

The FL that was a musician I repeat MUSICIAN in her past life with ZERO acting experience suddenly becomes a great actor that get people mesmorised and emotionally when acting with no special effect, no music and is on an empty stage. WITH NO ACTING EXPERIENCE I mean I would have believed if she studied her scripts really hard or took inspiration from other films or used experiences from her past life or even went to an acting school but no she does none of that which is really frustrating and just make me want to roll my eyes to the back of my head, and something that never fails to push my buttons is how we get 1 to 3 paragraphs of how beautiful she is for example: how white and soft her skins looks like a peeled egg or how petites and straight her nose is or even how lushious and red her lips her you get the gist.

He is lowkey creepy. I mean he is basically the only reasons she gets all this acting opporturnities

they were probably lovers in their past life or something, plus that's not new to this author. I'm guessing that's why her music feels nostalgic to him.