Chen Yao didn’t know she was a side character until it was too late.

In her previous life, she was the “cannon fodder” sister-in-law in a 1970s era novel. Her existence was defined by misery: she was forced to raise her in-laws’ ungrateful children, her husband was framed and killed by the “heroic” leads, and she herself was eventually bullied to death by the very children she sacrificed her life for.

But then, she woke up back in the 1970s.

The plot says she’s supposed to be a martyr? She’d rather burn the script.

Armed with a mysterious space, a connection to her future self, and a total lack of patience for toxic relatives, Chen Yao is done playing the victim. She’s slapping faces, making money, and turning the entire production team upside down. The only problem? She’s not the only “crazy” one in town. When she starts showing her teeth, a certain man is watching from the sidelines—and he’s more than happy to help her stir the pot.

“My wife is always right! If she says the sky is green, then it’s green!”

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