M*rder in the Mountain Lodges Beneath the Shooting Stars

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Physically confronting your abusive superior might be cool and satisfying when it happens in a drama, but, as Kazuo Sugishita is learning, it isn’t as cool when you’re sitting at home afterwards, terrified to learn how you’ll be punished when you return to work the next day.

The sentence he faces sounds surprisingly lenient – just a temporary reassignment to the company’s entertainment department while things blow over. But he changes his mind when he gets the specifics: Kazuo has been assigned as manager-in-training (read “servant”) to Shiro Hoshizono, the “Star Watcher”: A pompous, showoff-y, completely insufferable talent with no actual talents except using his sickeningly sweet words and foreign model looks to seduce lonely middle aged women into paying for the privilege of hearing him speak.

The day after his new assignment, Kazuo and Hoshizono leave for Saitama Prefecture, where Hoshizono has been recruited to become an image character for a campground in the mountains, alongside a group of other colorful characters, including a romance novelist with the looks of Cleopatra but the personality of someone’s grandpa and a UFO obsessed conspiracy theorist.

But the morning after their arrival, their host is found strangled to death in his lodge, the road back is buried in an avalanche, and… you can probably see where this is going.

Turns out, despite how he comes across normally, Hoshizono is actually a genius detective!

The novel features a unique chapter naming scheme where each chapter is titled as a three to four sentence summary of its own contents, focused upon what information about the case is discovered and what evidence appears, for ease of reference.

A nominee for the 50th annual Mystery Writers Association of Japan Award, long story category.

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Hoshifuri Sansou no Satsujin
星降り山荘の殺人
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MitsudaMadoy
MitsudaMadoy rated it
May 8, 2024
Status: Completed
Started promisingly, ended well, I just wish it hadn't lagged so much in the middle.

The idea of the title theming - all the chapter titles being summaries of their own contents - is an interesting idea (if you read the summary and thought it sounded like Umineko no Naku Koro ni's Red Text - it is), but it never really gives anything of use. A distressing number of the chapters incorporate the phrases "It might look like nothing happens, but actually..." or "Pay attention, I swear this part's important", and,... more>> like, they're all RIGHT, but I shouldn't need to be reassured that the book isn't wasting my time this often. It doesn't help that, despite the entire point of the titles being to summarize information for ease of access, most of the important evidence still slips through the cracks and needs to be searched for (I should know - I'm the one who had to translate all those call backs!).

It doesn't help that the mystery itself is surprisingly dull. Another common refrain from the chapter titles is "Things are exactly as they appear. The culprit did not use any unusual tricks to (do whatever) ", which does mean you don't feel like you have anything to latch on to for most of the book. There is one incredibly neat bit of "What? Why is that there!?" evidence, but the actual cast care about it so little it's tempting to ignore it yourself.

I've said a lot of unkind words about this book, but the solution itself is extremely thought out and satisfying. Having finished the book, I understand why Kurachi made every single decision he did, I just... wish he had found a way to pace them out a little better. I think it would be tragic if people started falling off because the book looks like it accomplishes much less than it does. <<less
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