The protagonist will get pregnant. The protagonist also got surprised by it but the ML is so ecstatic

By having his own space, he plants vegetables and have plenty of free sources. These vegetables are not like your every day's vegetable, these vegetables are so good that ML fall in love with MC.

30, and he gets transmigrated into a body of a 13 year old

MC finds out he has a space but it's just used as a way for him to get ingredients that make his cooking stand out. So if you're hoping for a more magical feel because of the space, you're not gonna get it. He doesn't even cook that much throughout the story, just for special occasions. Then when he joins the entertainment industry, the cooking kind of goes to the wayside. And all the portions involving the entertainment industry and written really quickly and a lot of things get glossed over. Like he never learned to act but the struggling isn't really written about. He just gets job after job and the jobs are over in like two paragraphs. He also learned music/piano but, like his cooking, that takes a backseat too.

in his previous world/life, MC is an orphan, then transmigrates either to the past or another world so that he has complete parents and a good older brother. Okay this doesn't matter, the problem is that the author "forces" that the future of this parallel world is the same as the world/life of the previous MC. Absolutely the same, even the film to be released, the fate of its people, even the direction of the world. If the author wants to use this as the golden finger wouldn't it be less plot holes if using "back to the past" than transmigration to parallel worlds? If the parallel world is the same as the MC's original world, then the MC shouldn't have parents. If it's not the same fate, why use the golden finger "knowing the future direction"? Even if it gives a plot twist at the end it still can't cover its absurd flaws

Despite the fact that he tries to develop the characters, they really still feel flat, especially the MC, like a doll that carries the current, his 30 years of previous life are not seen more than for the determination to fulfill his dream of a they restore, from there on out you can take like a normal young man.

the story becomes very annoying since the protagonist enters to be an artist, it is like saying, the story is going well, on the right path, but there is no drama, we are going to give circles to the story entering the circle of entertainment, I wonder if an ML can be more foolish, he is rich, he is interested in a relationship but he does not know how to get closer despite the fact that they already know each other slightly, the options can be: A) invite him out, B) woo him, C) go to eat at his restaurant to interact more D) passively-aggressively invite him to enter your company as an artist so that they are the boss employer and that the boy should start a public image and take care of it and then make him come out of the closet and tell everyone you know your boyfriend; very clever of you, because that will not make people think that you are interested in case the public finds out, I am in chapter 77 and I want to leave it, but I remembered the label of m-preg and I want to see that development, unfortunately the MC is increasingly annoying, he already fulfilled his goals and dreams, so every time the ML tells him to do something he just goes and does it, of course he justifies it, but the justifications are so weak that they bother you dying like mosquitoes, one is not a problem, just annoying, but the MC only gathers more and more until leaving you an unpleasant sensation.

Something annoying about this story is how he uses his golden finger, I don't care if he does it farm, but his restaurant depends on him and now he is thinking of doing it a chain of restaurants, he leaves blank as being so far from his restaurant he supplies it and Now he wants to do more in different cities, I study something related to business and he drives me crazy as he does not justify his accounts and without looking for comparisons he sets his prices, also as sometimes he stays thinking about using things he obtained from Japan without thinking that he must justify them as imports Do you really think that saying where I buy it is okay? Those things are well regulated and have their follow-ups on paper, call me crazy but when the homonym of the Treasury in China falls, everything will go down the drain, it may be just me, fortunately the ML solves it later, but I really hate this MC, he is the only one who has read that he doesn't give a sh*t hiding his golden finger well, I feel that he fans his treasure in the eyes of the world waiting for him to be caught, he is more foolish and annoying than dead flies and white lotuses because this MC could well do his business without that golden finger and in a more correct way within the legal margin without leaving gaps to exploit, then your golden finger serves only to justify your transmigration / reincarnation whatever

I hate how clueless MC is especially, I mean, he has experience of 30 years that he went to the garbage without knowing where to find her, then he has noticed that his actions changed several things in that world or are different and he never thought about whether that It would affect the orphanage where he was, I know he should not be a saint worrying about everyone, but he is the one who randomly mentions that he would like to help that place in the future, but it is more like a check list to meet, it makes you doubt of his friendship with his childhood friend from the other world, he should know that without his interference his friend's future would change a lot because without him his friend would not do many things, but he does not dedicate any thought to him until he sees how his friend ended in the world where he is, the story tries to make the MC look like a normal person, but he lacks IQ in many places, preventing a growth in the character regardless of what the author does to make it grow.

I feel the author was wrong, the drama of MC's biological parents is more interesting than that of the main story