What ties together the overarching package and successfully provides a sense of progression throughout the various arcs, keeps each arc engaging in some way, and prevents arcs from feeling repetitive are the varied 'system'-level conditions in each world. The amount of memories kept, the restrictions placed on her, even the PoV might shift from world to world, and when combined with the different dynamics of the roles the FLs play in each world, it keeps the interactions between the two fresh. These concepts also shift relatively often mid-arc compared to most quick transmigration, which can lead to some very good moments. A standout example of this is how, in the emperor historical world, Su Mingxiu ultimately realizes that the conditions placed on her caused her to regress compared to the first arc, trying to decide for the 'protagonist' on loving vs losing instead of giving her the choice.

While emotional entanglements are the primary thrust giving the plot life, the overarching plot involving Su Mingxiu's missing memories of her original world and the individual arc plots are still strong enough to pick up the slack when needed. The emotional plot itself is engaging, with a strong interplay between Su Mingxiu's restrained love capable of turning explosive at a moment's notice and the 'protagonist''s love, often sinking into self-deprecation, possessiveness, and even brief outbursts of hate. The varied plots also help a lot with this, exposing different facets of Su Mingxiu's love and various different approaches to the 'protagonist', as well as the 'protagonist''s different starting points resulting in different paths to acknowledging her love. When the emotional plot steps back or falters for a bit, however, usually the individual arc plots or the mystery or conflict with the system steps into gear, maintaining interest.

The overarching plot concludes with an entire arc of its own, and it's done well. While there are some issues, the arc provides a nice bow on top of the story and integrates itself very well in some ways. Parts of the finale felt a little too self-contained, and could've been teased a little bit more in the arcs to match with the well-integrated or slowly unveiled majority of the arc. For example, the male lead that the Heavenly Dao originally intended Su Mingxiu to be entangled with didn't have any prior hints, and especially the moment where Su Mingxiu remembered that she died because she was ambushed by him in her original life seemed a bit abrupt. The 'protagonist' also could've done with feeling a little bit more integrated with her selves in the world; while most parts of her character felt like they had sprouted into something in the various arcs, it would've been nice to see a bit more hint of the obsessive, desperate love that she showed in the various arcs in her original self. The Heavenly Dao and male lead also ended up dying a bit too smoothly and quickly for the pacing that the finale seemed to be working with prior to the climax.

However, the finale was engaging both from the perspective of an individual arc and as a final reflection. The strengths of the various arcs mentioned are still present in the finale, and some, like the nature of Su Mingxiu's love for the 'protagonist' and the mysteries surrounding the 'system', establish themselves even more strongly as the finale wraps up the plot threads established over all the various worlds. The arcs are also excellently integrated, with the reveal of the various original moments and love from the 'protagonist' to Su Mingxiu that grew into the plots of the arcs acting as an excellent defining moment for the finale.